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As with their previous release, there are nine tracks here of instrumental goodness, and while it shares some characteristics, it also has some subtle differences. Of course present are some killer horn section work as well as curious sounds created from instruments invented by the band, something they love to do. To my ears, the album sounds a little more intricately textured though, with more subtle layers building upon each other, almost having a orchestral effect at times. There also seems to be less of an electronic feel to it compared to the last album and more of a natural flow very reminiscent of a mix between the tribalness of the Congotronics series and the raw funkiness of Fela Kuti.
The entire album is certainly cohesive, and even coming less than a year after its predecessor claims an identity of its own. Check out the album's opener, the title track, below.
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and an older one:
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