and now be honest with what you're going to miss
then we're back to someone you used to kiss
and i know what i did wrong
is it real that anyone could fall in love at first sight?
if i have to i'll work every single day
if i have to i'll set hills on fire to light your way
let's go find a part of you that was lost
i have no concern whatever the cost
here we are in a goldmine
let's take what we need and leave the rest of it behind
if i have to i'll work every single day
if i have to i'll light hills on fire to light your way
then we're back to someone you used to kiss
and i know what i did wrong
is it real that anyone could fall in love at first sight?
if i have to i'll work every single day
if i have to i'll set hills on fire to light your way
let's go find a part of you that was lost
i have no concern whatever the cost
here we are in a goldmine
let's take what we need and leave the rest of it behind
if i have to i'll work every single day
if i have to i'll light hills on fire to light your way
Here's a short little ditty that will tug on your heart-strings. It reads so sweet, yet it's also a little melancholy, leading you to wonder if it's more of a plea than a celebration, a quite desperation trying to put on a hopeful face. And I love the brief clarinet (?) punctuations.
It's the first track from the four song EP In A Goldmine, from Charlie Wadhams. Things pick up with track two and get a little honky-tonk with the third, Blind as a Bat. Get a further listen on Charlie's MySpace page.
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